Title page for etd-0613112-174754


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URN etd-0613112-174754
Author Siou-Sia Lin
Author's Email Address No Public.
Statistics This thesis had been viewed 5362 times. Download 279 times.
Department Philosophy
Year 2011
Semester 2
Degree Master
Type of Document
Language zh-TW.Big5 Chinese
Title Openness of Being: The Question Emptiness in Chinese Landscape as seen from Heidegger's Discourse on Art
Date of Defense 2012-06-04
Page Count 88
Keyword
  • space
  • truth
  • imitate
  • openness
  • text-space
  • art-space
  • Abstract With respect to art, we mainly discuss the issue of 'space', and we generally believe that there exists the so-called 'art-space'. However, Heidegger considers art in a very different way which is phenomenological. With phenomenological reduction, he reinterprets how the art-space exists, and he also endows art with a brand new meaning, that is, “opening” , which is the way one expresses oneself.
    Nonetheless, Heidegger explains art in a dialectical way, that is to say, the negative way. However, that is the reason for Chinese landscape painting to be painted. In this essay, I try to yield further evidence for Heidegger 's theory, by investigating into Chinese landscape painting.
    The 'art-space' is hidden by the 'blank' spot of the landscape painting, so it is not emptiness, but gathering 'space', 'space itself', and 'light' into a whole; at the same time, it shows truth, which is lived truth. The 'art-space' does not come from imitating, but from a 'text-space' between likeness and unlikeness.
    Advisory Committee
  • Shin-Yun Wang - chair
  • Chung-Chi Yu - co-chair
  • Mathias Obert - advisor
  • Files
  • etd-0613112-174754.pdf
  • Indicate in-campus at 5 year and off-campus access at 5 year.
    Date of Submission 2012-06-13

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